Monday, July 28, 2008

white magic fell from above


If you are not familiar with Lansing-Dreiden, the magic of this band is not so powerful, or so I thought. When I first listened to their track "Trance Like Turn," I saw little to no difference between this band (Violens) and their artistic collective counterparts/alter ego's (Lansing-Dreiden).
After hearing their other tracks, their influences began to show. On top of that, they are delightfully accessible. It is helpful that they include most of their influences on their myspace page. The Prefab Sprout song-smithing saturates the track "Doomed," their psychedelic-ness on the track "Violent Sensation Descends," Last but not least, their Smiths-y-ness on the track "Spectator & Pupil," which I consider to be my favorite song of the year thus far. (Click on th last track to download it). enjoy!
p.s. Chicagoans will be happy that they are playing in their town for two days in a row for a fairly inexpensive price ($5 and $10). July 31st and August 1st.

Tuesday, July 22, 2008

ROCKNROLL


The subject of today's post is...rock and roll. I am going to go ahead and assume that this is a well-traveled path of many a music-blogger. Therefore, it is safe to conclude that I, once again, am taking the easy way out and escaping any sense of originality. In my own defense as you disinterestedly veer your browsers away to an amateur porn site to assuage your nightly needs, remember that here are The Liberace Sequence we strive to mesmerize your musical sense with tantalizing rocknroll landscapes.
Now for the body: punk rock covers of rock and roll standards!
Well, more specifically we are going to investigate the Ramones' cover of 'Do You Wanna Dance,' and we are also going to survey The Dictators' version of 'California Sun.'
The most noteworthy difference between these two covers involve the production embellishments on the drums. The Ramones adhere to their stripped down, raw, mechanical drum beats iconic of 'punk' rock, which set the standard for acts to come. The Dictator's on the other hand use a slap-back effects on the toms as a kind of nod to the surf rock genre. Also, the 16th note skitter of the high-hat's on the Dictator's cover contribute to the diversity of texture on this seemingly 'stripped' rock n' roll standard. Dick Manitoba's voice is also shrouded in a slap-back effect, thus making his voice seem as large as his stage presence.
The winner of the battle is undoubtedly The Ramones. The longevity of their career alone sets them above The Dictators. The Ramones cover is better because it absorbs this rock n' roll standard almost seamlessly into their oeuvre, in other words it is almost indistinguishable from their own compositions. That is not to say that The Dictators are inferior. In fact, they are the most underacted band of this genre (bet you've never heard me say that before). Their primacy of their music as it relates to the foundations of punk provide them with enough credibility in that their example adequately constructed a template for 'punk.' In their song 'Teengenerate' The lead guitar riff is somewhat of an influence to the likes of Mick Jones and Brian James. They are almost as important as Television in the evolution of American Rock n' Roll. Similarly, The Ramones adhered to their template throughout their entire career, which in part may be influenced by The Dictators. Occasionally, they would succumb to the eighties and use synthesizers. This did not compromise their sound entirely, instead it would reflect the sound of New York during that era (e.g. The Cars). All in all both bands have impressive discographies, both pack with seminal rock and roll album. Not half bad!


p.s. Click on the links to download the songs
p.p.s. 'California Sun' was written by Henry Glover and 'Do You Wanna Dance' was written by Bobby Freeman.

Thursday, July 10, 2008

The Return of the Liberace Sequence.

The Return of the Liberace Sequence: The Liberace Sequence IV
This a mixtape for the avid and enthusiastic patrons of this website. On this compilation you will find smooth, wispy, galant, and somewhat epic jams. Two covers are a present: A French-pop rendition of the Dylan classic "I Want You" and and updated version of Galaxy 500's "Tugboat" performed by The British Sea Power. Doesn't entice you? Well look below and you can stream the mix tape via www.imeem.com. The ten track serenade is a return to an era marked by long languid melodic phrasing and drug induced dazes that last for days('s). Notice how French-pop employs Americanisme by using doo-wop idiosyncrasies and countless other rock and roll and motown themes. The music of Broadcast and Blackbox Recorder's analogously adheres to the lush orchestration canonical of French pop. Below is a playlist, so that you may preview/stream the tracks. If you cannot hear the full length tracks, join Imeem (it's free and beside someone needs to sign up Seymour Butts to imeem). To download the mix just click on the hyperlink at the top of the post. Ta Ta...


P.S. I Deleted the Imeem playlist, but you can still download the mix by clicking the hyperlink