The Monochrome Set present Strange Boutique (full length LP)
&
Monochrome Set - Eine Symphonie des Grauens (live 1970)

Bid (right) & Lester Square (left): the songwriting force of The Monochrome Set.
Lead Vox/Guitar: Bid (happens to be Indian)
Lead Guitar: Lester (he happens to play the keys when he gets the chance).
The funny thing: My favorite album, Love Zombies, unattainable on digital format ( I have it on LP na na na boo boo!).
The good thing: Included in this post is the first album (sorry to those of you that had it from uploads past).

What is the deal?

No, really! What is the deal?
I put minimal effort into this bloggy guy and I am agitated by the lack of response. Well, f*ck that!
My blog needs direction. Look out for new "best of's" and "new artists." Keep in mind that new artists can refer to old artists as well as brand new artists. What makes these "old" artists "new"? I'll tell you why, it is because they are new to me. For example The Monochrome Set is new although they are well over 20 years old. Hercules and Love Affair are new to me also and therefore, they too are new. Now I am tired of using the word "new." Let's change streams (without crossing them) I am contributing to my friends blog freaksatnight.wordpress.com, so keep your ear to the ground with that. He already has alot of nice little knowledge-nuggets. Enough to soil your mind-bed and get embarrassed by your theorhetical-friends. Additionally, these knowledge-nugs will scare away your conceptual-girlfriends. Enough for now! stay tuned.

white magic fell from above

If you are not familiar with Lansing-Dreiden, the magic of this band is not so powerful, or so I thought. When I first listened to their track "Trance Like Turn," I saw little to no difference between this band (Violens) and their artistic collective counterparts/alter ego's (Lansing-Dreiden).
After hearing their other tracks, their influences began to show. On top of that, they are delightfully accessible. It is helpful that they include most of their influences on their myspace page. The Prefab Sprout song-smithing saturates the track "Doomed," their psychedelic-ness on the track "Violent Sensation Descends," Last but not least, their Smiths-y-ness on the track "Spectator & Pupil," which I consider to be my favorite song of the year thus far. (Click on th last track to download it). enjoy!
p.s. Chicagoans will be happy that they are playing in their town for two days in a row for a fairly inexpensive price ($5 and $10). July 31st and August 1st.

ROCKNROLL

The subject of today's post is...rock and roll. I am going to go ahead and assume that this is a well-traveled path of many a music-blogger. Therefore, it is safe to conclude that I, once again, am taking the easy way out and escaping any sense of originality. In my own defense as you disinterestedly veer your browsers away to an amateur porn site to assuage your nightly needs, remember that here are The Liberace Sequence we strive to mesmerize your musical sense with tantalizing rocknroll landscapes.
Now for the body: punk rock covers of rock and roll standards!
Well, more specifically we are going to investigate the Ramones' cover of 'Do You Wanna Dance,' and we are also going to survey The Dictators' version of 'California Sun.'
The most noteworthy difference between these two covers involve the production embellishments on the drums. The Ramones adhere to their stripped down, raw, mechanical drum beats iconic of 'punk' rock, which set the standard for acts to come. The Dictator's on the other hand use a slap-back effects on the toms as a kind of nod to the surf rock genre. Also, the 16th note skitter of the high-hat's on the Dictator's cover contribute to the diversity of texture on this seemingly 'stripped' rock n' roll standard. Dick Manitoba's voice is also shrouded in a slap-back effect, thus making his voice seem as large as his stage presence.
The winner of the battle is undoubtedly The Ramones. The longevity of their career alone sets them above The Dictators. The Ramones cover is better because it absorbs this rock n' roll standard almost seamlessly into their oeuvre, in other words it is almost indistinguishable from their own compositions. That is not to say that The Dictators are inferior. In fact, they are the most underacted band of this genre (bet you've never heard me say that before). Their primacy of their music as it relates to the foundations of punk provide them with enough credibility in that their example adequately constructed a template for 'punk.' In their song 'Teengenerate' The lead guitar riff is somewhat of an influence to the likes of Mick Jones and Brian James. They are almost as important as Television in the evolution of American Rock n' Roll. Similarly, The Ramones adhered to their template throughout their entire career, which in part may be influenced by The Dictators. Occasionally, they would succumb to the eighties and use synthesizers. This did not compromise their sound entirely, instead it would reflect the sound of New York during that era (e.g. The Cars). All in all both bands have impressive discographies, both pack with seminal rock and roll album. Not half bad!


p.s. Click on the links to download the songs
p.p.s. 'California Sun' was written by Henry Glover and 'Do You Wanna Dance' was written by Bobby Freeman.

"Trance Like Turn" performed by the Violens

The Return of the Liberace Sequence.

The Return of the Liberace Sequence: The Liberace Sequence IV
This a mixtape for the avid and enthusiastic patrons of this website. On this compilation you will find smooth, wispy, galant, and somewhat epic jams. Two covers are a present: A French-pop rendition of the Dylan classic "I Want You" and and updated version of Galaxy 500's "Tugboat" performed by The British Sea Power. Doesn't entice you? Well look below and you can stream the mix tape via www.imeem.com. The ten track serenade is a return to an era marked by long languid melodic phrasing and drug induced dazes that last for days('s). Notice how French-pop employs Americanisme by using doo-wop idiosyncrasies and countless other rock and roll and motown themes. The music of Broadcast and Blackbox Recorder's analogously adheres to the lush orchestration canonical of French pop. Below is a playlist, so that you may preview/stream the tracks. If you cannot hear the full length tracks, join Imeem (it's free and beside someone needs to sign up Seymour Butts to imeem). To download the mix just click on the hyperlink at the top of the post. Ta Ta...


P.S. I Deleted the Imeem playlist, but you can still download the mix by clicking the hyperlink

Then I'll Drag You Home...

Bonjour!
The subject of this evening's post is one the most "underrated brit-pop acts of the 90's". Believe me, I could fill the Library of Congress with bands that fall under that heading. I could fill up the Library of Congress with a lot of other things believe you me (???). Anyways! The band of this evening is no other than Gene. Having been compared to The Faces and The Smiths alike, Martin Rossiter and co. oozed cynical croons all over the 90's and didn't clean up (yucky). Their music has been condemned to Anglophile dick-measuring banter.

Here it is in two Parts: Gene's To See the Lights; a compilation of b-sides and live goodies. Additionally it was never formally released in the United States.
part 1
part 2